{"version":"1.0","provider_name":"KunstHalle Bratislava","provider_url":"https:\/\/kunsthallebratislava.sk\/en\/","author_name":"Erik Vil\u00edm","author_url":"https:\/\/kunsthallebratislava.sk\/en\/author\/erik-vilim\/","title":"The Right Pill - KunstHalle Bratislava","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"aQaLjUhrWx\"><a href=\"https:\/\/kunsthallebratislava.sk\/en\/program\/the-right-pill\/\">The Right Pill<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/kunsthallebratislava.sk\/en\/program\/the-right-pill\/embed\/#?secret=aQaLjUhrWx\" width=\"600\" height=\"338\" title=\"&#8220;The Right Pill&#8221; &#8212; KunstHalle Bratislava\" data-secret=\"aQaLjUhrWx\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/kunsthallebratislava.sk\/wp-content\/uploads\/2019\/09\/as0_52572.jpg","thumbnail_width":900,"thumbnail_height":601,"description":"Zuzana Pac\u00e1kov\u00e1 (ZP): Established in 1999, this year marks the 20th anniversary of your creative endeavors as Plastique Fantastique. How would you define the main common links in your works throughout all those years? Marco Canevacci (MC): Our works relate to the activation of public space and are filled with a good sense of humour...."}