{"version":"1.0","provider_name":"KunstHalle Bratislava","provider_url":"https:\/\/kunsthallebratislava.sk\/en\/","author_name":"Erik Vil\u00edm","author_url":"https:\/\/kunsthallebratislava.sk\/en\/author\/erik-vilim\/","title":"The World as Supermarket and as Derision - KunstHalle Bratislava","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"gAaXRDGZeG\"><a href=\"https:\/\/kunsthallebratislava.sk\/en\/program\/michel-houellebeque\/\">The World as Supermarket and as Derision<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/kunsthallebratislava.sk\/en\/program\/michel-houellebeque\/embed\/#?secret=gAaXRDGZeG\" width=\"600\" height=\"338\" title=\"&#8220;The World as Supermarket and as Derision&#8221; &#8212; KunstHalle Bratislava\" data-secret=\"gAaXRDGZeG\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/kunsthallebratislava.sk\/wp-content\/uploads\/2022\/06\/as0_1523_.jpg","thumbnail_width":900,"thumbnail_height":601,"description":"Michel Houellebecq: The World as Supermarket and as Derision &nbsp; \/ an extract from essay \/ &nbsp; Arthur Schopenhauer did not believe in History. He therefore died convinced that the revelation he brought on the world, on the one hand existing as will (as desire, as vital impulse), and on the other hand perceived as..."}